DIDARDIDAR MASTERCLASS 03
Mobina Mohammadvali — instructor of From Idea to 3D
03Mobina MohammadvaliJewellery designer and digital jewellery design instructor

DIDAR MASTERCLASS 03

Six-session curriculum confirmed; delivery details coming soon

FROM IDEA TO 3DFrom Idea to 3D

Instructor: Mobina Mohammadvali

A six-session masterclass with Mobina Mohammadvali, moving from inspiration and form extraction to jewellery design, modelling strategy, and a final 3D model.

InstructorMobina Mohammadvali
Confirmed focusInspiration · Form Extraction · Form Development · Jewellery Design · 3D Model
Course typeIndependent masterclass
Course length6 sessions
OutcomeDocumented design path + final 3D model
Session fiveMatrix / Rhino · modelling-strategy selection
Start dateComing soon
Day & timeComing soon
Format & venueComing soon
Capacity, tuition & prerequisitesComing soon

The central problem

Inspiration becomes design only when it moves beyond copying.

A leaf, building, or movement should not be translated literally into jewellery. The course teaches participants to extract formal qualities, build distinct directions, and choose a 3D-modelling strategy only after the design has been resolved.

Masterclass scope

Six sessions, one continuous path from inspiration to 3D.

Each session advances the same final project. Matrix/Rhino enters the path in session five, but the objective is not command training; it is choosing the right modelling strategy for a form resolved across the first four sessions.

  1. 01

    Finding Inspiration

    Distinguish inspiration from copying; find sources beyond jewellery in nature, architecture, the body, movement, texture, objects, stories, or abstract concepts; select a subject, conduct visual research, and build a moodboard.

  2. 02

    Inspiration to Form

    Rather than turning the source directly into jewellery, extract its formal qualities: line, rhythm, repetition, volume, negative space, proportion, tension, and twist. Then build several distinct forms from one reference.

  3. 03

    Form Development

    Develop the initial form through simplification, scale shifts, combination, subtraction, addition, and variation. Produce five to ten studies from one idea and select the strongest direction deliberately.

  4. 04

    Form to Jewelry

    Place the form on the body without losing its identity, translating it into a ring, earring, pendant, or brooch. Introduce ergonomics, dimensions, thickness, stone placement, and making logic at this stage.

  5. 05

    Form to 3D

    Move into Matrix/Rhino without turning the session into a tool tutorial. Choose the right strategy for each form—curve-based, surface, solid, SubD, or hybrid—and preserve the design’s character from sketch to 3D.

  6. 06

    Final Piece

    Complete the model, refine form and proportions, review manufacturability and final details, and present the project in a closing critique.

Project direction

One complete path, from a source of inspiration to a final 3D model.

By the end, each participant should have completed and documented this full chain in one defensible project: Inspiration → Research → Form Extraction → Form Development → Jewelry Design → 3D Model. The outcome is not only the final model, but the logic of the decisions that produced it.

Mobina Mohammadvali

Instructor

Mobina Mohammadvali

Jewellery designer and digital jewellery design instructor

Mobina Mohammadvali has more than eight years of experience in digital jewellery design and has taught the field for the past three years. Her work focuses on precise modelling, contemporary form, and the relationship between technology, structure, and concept. In 2026, her Connection jewellery set received a Bronze A’ Design Award.

Participation details

The six-session structure is confirmed; delivery details are not yet final.

The session count, all six topics, the move into Matrix/Rhino in session five, and the final course outcome are confirmed. The start date, day and time, format, venue, duration of each session, capacity, tuition, payment terms, prerequisites, and certificate policy have not yet been announced. The form records interest only and does not reserve a seat or create a payment obligation.

Frequently asked questions

Frequently asked questions

Is this course part of the Matrix 9 class?

No. This page presents an independent masterclass. Matrix 9 also remains a separate class with Mobina Mohammadvali.

What is the final outcome of From Idea to 3D?

Each participant completes and documents a full path from Inspiration and Research through Form Extraction, Form Development, Jewelry Design, and a final 3D model. In session six, the project is critiqued and refined for form, proportion, manufacturability, and final detail.

Which course details are confirmed, and which are still pending?

The six-session structure, curriculum, and final 3D-model outcome are confirmed. The start date, timetable, format, venue, capacity, tuition, prerequisites, and session duration will be published here after final confirmation.

Does the form confirm enrolment?

No. It records interest in this specific course only; it does not reserve a seat or take payment.

Register interest

Interest in this masterclass is recorded separately.

This form tells DIDAR exactly which masterclass you are following, so the team can contact you with that course’s confirmed details.

Core fields are required